5 Alice In Wonderland References In Twin Peaks: The Return

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I’m too excited by certain Twin Peaks: The Return and Alice In Wonderland connections that I need to share these half-baked thoughts. Much more to come eventually. Here we go!

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1. Dougie’s green-colored suit jacket (a very distinct lime green choice) can also be found on the Mad Hatter. Dougie is equally “mad,” exemplified by (among many things) his tie on his head. Additionally, the Mad Hatter’s pal, the March Hare, wears red (like Sonny Jim in the Dougie breakfast scene) while Janie-E (in blue jeans, like Alice’s blue) bops around the kitchen. The Dougie, Sonny Jim and Janie-E trifecta is comparable to the Mad Hatter, March Hare, Alice trifecta, at least visually and somewhat characteristically. Janie-E’s temper is very short with Dougie, like Alice gets with the Mad Hatter.

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2. ALICE Tremond lives at the Palmer residence. ALICE! Guys… Alice. She also happens to be blonde. Of all the names to give a character who ends up in the final scene and has essentially replaced the Palmers, it’s Alice.

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3. Shrunken Cooper gets sucked through an electrical socket / Shrunken Alice gets sucked through a keyhole.

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4. Jack Rabbit’s Palace is a portal to the White Lodge. Alice falls down the White Rabbit’s hole and is transported to Wonderland.

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5. Phillip Jeffries is a Teapot that spells things with smoke like the Caterpillar. And insomuch he, and his scenes, contain a hybrid of references from Alice In Wonderland. Mr. C demands of Jeffries, “WHO IS JUDY?” The Caterpillar demands of Alice, “WHO ARE YOU?”

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There’s so much more (plus so many Wizard of Oz references as well, which is.. someone else’s destiny to blog about). I can’t wait to dig deeper.

Most days it’s my unbirthday, but Twin Peaks & Wonderland turned 2 today! I kind of can’t believe 2 years have gone by and I’m still not finished going through each episode. But it’s a lot of work! It’s worth it. I hope you’ve enjoyed it as much as I...

Most days it’s my unbirthday, but Twin Peaks & Wonderland turned 2 today! I kind of can’t believe 2 years have gone by and I’m still not finished going through each episode. But it’s a lot of work! It’s worth it. I hope you’ve enjoyed it as much as I have!

Found In Twin Peaks (S2, EP8): The Cheshire Cat Grin Takes Over, Leland’s Mad Golfing = Alice’s Mad Croquet

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If this is your first time here, this blog is dedicated to my thoughts and discoveries of how David Lynch and Mark Frost’s Twin Peaks relates to Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking Glass, as well as the Disney movie. To start at the beginning, go to the archives.

Episode 8, Season 2 - “Drive with a Dead Girl”

It’s the episode after Leland/Bob kills Maddy. Leland, fully overtaken by Bob, is bursting at the seams with maniacal behavior. He’s in full-blown Cheshire Cat mode. He’s grinning wildly, dancing with unhinged mirth, singing little ditties to himself… and all the while we see these glimpses of Bob, fading in an out, much like the Cheshire Cat fades in and out when appearing to Alice. Bob is ever-present but we’re only able to see him “through the looking glass” (aka via a mirror), another “Alice” reference.

DANCING, GRINNING, SINGING MADLY LIKE THE CHESHIRE CAT

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In this clip below from Disney’s Alice In Wonderland, the Cheshire Cat is telling Alice that “most everyone’s mad here,” and “you may have noticed I’m not all there myself,” before fading away, leaving his troubling grin hanging in the darkness, and humming a tune (a musical version of Lewis Carroll’s “Jabberwocky” poem).

The Cheshire Cat’s flippant emotions, from excited to sinister to surprised to straight-up goofy and sing-songy – these are ALL traits we see in Leland in this episode. Leland has gone as mad as the Cheshire Cat. From his sweaty, psychotic and fake sob / insane grin after encountering Agent Cooper and Sheriff Truman at The Great Northern…

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Followed by his wildly enthusiastic dance with himself…

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To his sing-songy, upbeat demeanor that seems to only amuse himself…

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We can conclude that he’s cracking up, he’s mad… in a way that is uncannily similar to the Cheshire Cat. Look at the shot choice below. When Leland/Bob is about to get back on the road after eluding Cooper and Truman yet again, we see Bob’s sinister grin, floating in the rearview mirror. Then it fades away into the waterfall shot.

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Similarly, take a look at how the Cheshire Cat leaves his grin ominously floating mid-air for a few seconds, and watch as it fades away…

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LELAND’S MAD INDOOR GOLFING = ALICE’s MAD CROQUET

This episode opens with Leland taking chip shots against the walls and furniture in his own living room. While on one hand this may be his cover for the state of the living room after murdering Maddy, it’s nevertheless utterly mad. Especially since he’s taking pure pleasure in the act, and also treating it as if it’s not crazy at all to be golfing in your own home.

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In Alice In Wonderland, you may remember that Alice plays a mad game of croquet, in which she is forced to use a bird as her mallet.

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Adding onto that idea… where is Maddy’s dead body? It’s in Leland’s golf bag. And we see her hand amidst Leland’s set of “new irons” that he wants to show Agent Cooper when pulled over. In a similar way that animals are to be used as mallets in Alice In Wonderland, humans are associated with golf clubs, as seen in this disturbing image…

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TWEEDLEDEE AND TWEEDLEDUM

Twins! Sort of. Lucy and her sister Gwen come into the Sheriff Department looking nearly identical. Their hair is the same, their voices are squeaky, and Lucy is even mimicking the way Gwen is holding a baby. They also both talk a lot, like, A LOT. The duo is reminiscent of the Lewis Carroll/Disney characters Tweedledee and Tweedledum…

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CALLING OUT DREAMS

Yet again, we’re reminded of dreams. Much like Alice is in a dream in Wonderland, we’re constantly told in various ways that dreams pervade Twin Peaks and its inhabitants. In fact, Sheriff Truman has HAD IT with the dreams and all the other curious stuff that comes with them…

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And finally Maddy is found, in the same way Laura was–washed up on the shore, wrapped in plastic and dead. Much like Laura, she looks peaceful, at rest and as if she is only in a dream, like Alice…

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Happy Birthday, Lewis Carroll. I think David Lynch would agree with this sentiment.

Found In Twin Peaks (S2, EP7): Humpty Dumpty’s Great Fall & BOB Through the Looking Glass

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If this is your first time here, this blog is dedicated to my thoughts and discoveries of how David Lynch and Mark Frost’s Twin Peaks relates to Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking Glass, as well as the Disney movie. To start at the beginning, go to the archives.

Episode 7, Season 2 - “Lonely Souls”

It’s worth noting that this is a David Lynch-directed/Mark Frost-written episode. It also happens to be one of my favorites.

“HUMPTY DUMPTY” HAROLD

Humpty Dumpty sat on a wall,
Humpty Dumpty had a great fall.
All the king’s horses and all the king’s men
Couldn’t put Humpty together again

Humpty Dumpty gets his own chapter in Through the Looking Glass. When Alice meets up with him, she asks, “Why do you sit out here all alone?” Humpty Dumpty is a lonely and fragile character, sitting as an egg on a wall all by himself. Alice comes along and talks to him, though he is a touchy fellow. And these characteristics translate over to Harold in Twin Peaks as well. Harold is agoraphobic, and much like Humpty Dumpty does not leave his wall, neither does Harold leave his house. Laura does visit Harold, and eventually Donna as well. But Donna’s break of trust ends up breaking Harold. And where Humpty Dumpty is actually a fragile egg that eventually falls and breaks, Harold is emotionally fragile and breaks as well, driving him to commit suicide. This comparison can even be visually interpreted in this episode of Twin Peaks, and I’d like to point out 2 distinct visual cues that associate Harold and Humpty. The first, in the image at the top of this post, you’ll notice Harold’s legs high up, dangling, just as Humpty Dumpty’s legs dangle over the edge of his wall. Both are amongst greenery. And Harold’s khaki colored pants resemble an egg color.

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But the thing that really drives this home visually is the way the papers are scattered throughout the scene of Harold’s suicide. There are 3 distinct colors used: White, yellow and red. The white and yellow look like the broken shell and yolk of an egg, while the red represents (and in some instances is) blood. Seems like Harold emotionally cracked and had a great fall. And with the Twin Peaks Sheriff Department and Agent Cooper on the scene, it seems that all the kings horses and men are there, and they can’t put Humpty – er, Harold – back together again.

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And to top it off, Harold leaves a note saying he is a “lonely soul.” I think the same goes for Humpty Dumpty sitting up on that wall all alone, which returns me to Alice’s observation, “Why do you sit out here all alone?” Well, he is a lonely soul.

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A “WONDERFUL” WONDERLAND

After we’re introduced to the Harold suicide/broken Humpty Dumpty scene, the episode cuts to Maddie in the living room with Leland and Sarah Palmer, and we hear “What a Wonderful World” by Louis Armstrong play throughout the scene. The camera lands on the record spinning, which looks like a black hole, reminiscent of a rabbit hole. Notice also that Maddie is in a blue nightgown and robe, reminiscent of the blue dress that Alice wears in Disney’s Alice In Wonderland.

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And Sarah even uses the word “wonderful” as well, saying to Maddie, “You have been such a wonderful help.” The use of “wonderful” (as in, Wonderland), the blue dress (like Alice’s), and the black circle of the record (rabbit hole) evoke a strong connection to Alice In Wonderland. And that’s not it! Because later in the episode we go…

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DOWN THE RABBIT HOLE

The way Sarah Palmer falls slowly down the stairs upside down, combined with the focus on the spinning black record, feels as though she is falling down the rabbit hole and into a dreamland/nightmare-land (and obviously this is not the first time this has happened for her). Then we go…

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THROUGH THE LOOKING GLASS

We see Leland look into the mirror, and beyond the mirror, he sees another world… a world where he is BOB. Just as Alice travels through the mirror in Through the Looking Glass, we see into another world by way of the mirror as well.

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And what is BOB/Leland doing in the mirror? Grinning and laughing manically like the Cheshire Cat.

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Another mirrored instance is the shot of the puddle before The Bang Bang Bar scene, a sign that we are being transported through a looking glass here as well. And we do see an alternate dreamworld appear in the bar–the music changes, things get a dreamy, and Cooper sees the Giant from his previous dreams emerge saying, “It is happening again.” The happening being that BOB/Leland is murdering again.

SOME OTHER THINGS!

Speaking of dreams, which we know Alice is having in order to experience Wonderland, and which are brought up constantly in Twin Peaks, Nadine says that Ed is the “dreamiest.”

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Cooper says – alluding once again to things being “underground”, just like Wonderland is down a rabbit hole – “Let me know what you dig up.”

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Poetry kicks off this episode, as Mike repeats his riddle about The Great Northern from the last episode. This is relevant since Alice too is constantly reciting poems and solving riddles given to her by characters in her dreams as well. And the One Armed Man is being possessed by a character from another world, Mike.

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And the way Ben Horne puffs on that cigar like a madman just slightly reminds me of the Caterpillar from the Alice stories.

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Go further down the rabbit hole with my previous posts.

Found In Twin Peaks (S2, EP6): The “Alice” Themes of Cards and Chess, Leo the Dormouse and Another Mad Tea Party

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If this is your first time here, this blog is dedicated to my thoughts and discoveries of how David Lynch and Mark Frost’s Twin Peaks relates to Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking Glass, as well as the Disney movie. To start at the beginning, go to the archives.

Episode 6, Season 2 - “Demons”

REFERENCES TO FALLING DOWN A HOLE, LIKE ALICE

In the beginning of this episode, Audrey is passed out, dreaming, and is saying she’s sinking and “Can you catch me?” It evokes an image of Alice dreaming that she’s falling down the rabbit hole. And Audrey was just in a rabbit hole of her own… one where she was kidnapped and forced to become addicted to heroine against her will, leaving her in a constant dream-like state.

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Later in the episode, there are more references to being underground, like Alice is when she’s caught in Wonderland. Benjamin Horne suggests he has enough information to put Josie away by saying, “I will bury you.” Then Josie retorts that she too has enough information to lock Mr. Horne up in jail, and she says, “They’ll bury us side by side.”

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Again we get more subliminal images relating to Alice In Wonderland and to being below ground and falling down into darkness when Gordon Cole (played by David Lynch) says 2 things in succession. The first is, “You might be getting in a little over your head again.” This suggests an image of Cooper going too deeply past where he should be. Then Gordon says, “You went into the chute in Pittsburgh, Coop.” If you imagine how a laundry or a garbage chute operates, this evokes an image of Agent Cooper falling down a dark passageway without control. Cooper responds by saying, “Pittsburgh was a completely different story.” Ah, we’re in a different, though similar “story” to Alice In Wonderland. If we are to assume all of this dialogue is carefully chosen (which I do assume that, obviously), then relating “over your head,” “into the chute,” and “different story” together are possibly meant to signal a reference to Alice In Wonderland, more specifically Alice falling down the rabbit hole. And Cooper is indeed in quite the rabbit hole of a case.

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To top that off, Gordon’s dialogue works another reference in when he says, “Restless nights and uneasy dreams go with the territory.” By saying “uneasy dreams go with the territory,” right after we are subliminally given the imagery of a story where Cooper is in over his head and falling down a chute, it hammers in this idea that Cooper is experiencing similar symptoms to Alice in Wonderland.

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And here we go with another underground reference (the last of the episode that I can tell!). Leland Palmer says “we can drop escrow into a black hole”. I don’t think I need to elaborate on this. You get it. Another reference to Alice falling down a hole.

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A MAJOR THEME LINKING BOTH STORIES: CHESS

The themes that permeate Alice In Wonderland and its sequel Through the Looking Glass are split into 2 major “game” themes. The first, featured in the book Alice’s Adventures in Wonderland (and the Disney movies), is a “playing card” theme where playing cards are personified, and we are in a kingdom ruled by the demanding Queen of Hearts.

Similarly, throughout Twin Peaks Season 1, and for 5 episodes of Season 2 (we’re just about halfway through the entire 2 seasons at this point), a theme of “playing cards” emerges. One Eyed Jacks, the casino where the women who work there dress as personified playing cards, is central to the plot.

The second “game” theme occurs in Through the Looking Glass, the sequel to Alice’s Adventures in Wonderland. And the theme is “chess.” The book starts out with a printed picture of a chess board, and describes Alice as the “White Pawn.” The entire story takes place on top of a giant chess board, as Alice and the characters in the world around her move through the game as personified chess pieces.

Similarly again, as we move to the second half of Twin Peaks, we are also moving into a second “game” theme, which is – you got it – “chess.” There will be more on this as I continue working through this season, but for now let’s just say that a major evil dude in Season 2 is obsessed with chess, and goes on to personify many people in the town of Twin Peaks as pawns, and even Queens.

For now, let’s look at the theme of “chess” emerging in this episode…

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Most importantly, we are introduced to Windom Earle, who sends an opening chess move to Cooper.

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We also have this brief allusion to chess between Josie and Benjamin Horne.

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A MAD TEA PARTY

Shelly and Bobby have a “Welcome Home” party for Leo, unbeknownst the to catatonic Leo. When I see this scene, Leo feels so much like the Dormouse in the Mad Tea Party scene from Alice In Wonderland. I totally encourage you to watch both of them on Youtube.

Quite a few things compare between the two: The colors, the nonsense nature of the party (it’s a taunting “Welcome Home” for Leo; and it’s a very merry “unbirthday” for the Hatter and the Hare), Leo and the Dormouse’s shirts are hues of red/pink, and the Dormouse’s face is covered in jam when he passes out just like Leo’s face is covered in cake when he passes out into it.

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Plus, Bobby and Shelly are singing “For He’s a Jolly Good Fellow” cheerfully and drunk, and if you use “mad/nonsensical” as a substitute/synonym for the word “drunk”, the vibe is the same as the Hatter and the Hare’s boisterous tea party where they also cheerily sing songs for their own amusement.

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And, for another “tea”- related reference, we see Leland Palmer in the lobby of the Great Northern singing the words “my cup of tea,” from the song “Getting to Know You” in The King and I.

THE CHESHIRE, BOB, AND MORE

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The end of the episode incorporates a lot of things that can be tied to Alice In Wonderland – items I’ve already covered in previous posts, and which you’ll see if you watch this episode again. Here’s an abbreviated list of the items I’ve covered that come up when Cooper interacts with the One Armed Man/Mike:

1. The “wanted” drawing of Bob shows his head floating like the Cheshire’s, drawn in a similar way to the stylings of John Tenniel, who did the original drawings in Alice’s Adventures In Wonderland, where the Cheshire Cat first appeared.

2. There are a few quotes that feel like Alice In Wonderland to me. “It’s too late,” relating to the White Rabbit. “Who are you?” relating to the Caterpillar. “You spoke to me in my dream,” relating to… dreams.

3. Mike chants the “Fire Walk With Me” poem. As mentioned before, throughout the Carroll classics, poems and riddles come up constantly, existing as important tentpoles in the stories, just as “Fire Walk With Me” does in Twin Peaks.

4. Mike also reminds us that it is indeed a smile on Bob’s face. And that Bob is “eager for fun,” much like the mischievous Cheshire Cat and his similar grin.

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SIDE NOTES

In the above shot of Maddie by the water, the boat and the trees remind me of one of the establishing shots in Alice In Wonderland.

And, lest we forget, Mr. Tojamura finds “adherence to fantasy troubling and unreasonable.” A funny line in a world of fantasy.

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Go further down the rabbit hole with my previous posts.

Found In Twin Peaks (S2, EP5): The “Wondrous” Woods & Wonderland, Talking Flowers and Dreams

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If this is your first time here, this blog is dedicated to my thoughts and discoveries of how David Lynch and Mark Frost’s Twin Peaks relates to Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking Glass, as well as the Disney movie. To start at the beginning, go to the archives.

Episode 5, Season 2 - “The Orchid’s Curse”

Right off the bat, Cooper is talking about a dream he had where he tried to eat a large gum drop. The camera movement is a dreamy spiral, and we’re reminded that dreams can be pretty weird, and that they can have a child-like charm, which is a stark contrast to the adult themes that the show gets into. I bring this up, as you know, since Alice’s dreamworld is very weird as well, and her dream is child-like at points but grows to be bizarre, sinister and even violent as the story evolves.

This episode goes on to mention dreams a few times, and alludes to some other Alice connections, which I’ll get into. Here are more “dream” mentions, including one that uses the phrase “Dreamland” (a la “Wonderland”) to refer to Audrey sleeping:

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Eventually we get to a conversation between Harold and Donna, where Harold mentions that he “grew up in books” and that we “dream” things can be “found in other people”. To which Donna responds, “Maybe our dreams are real.”

In a world that blurs dreams and reality, what Donna is saying is actually true – within the realm of the show, of course. And for Alice In Wonderland, within the realm of her story, Alice’s dream also blurs into her reality. It’s hard to see a clear line of separation within both stories. And I would also point out that Alice also “grew up in books,” in that she is a small child in the book Alice’s Adventures In Wonderland by Lewis Carroll, who grows to be a bit older in the sequel Through the Looking Glass, and she is also from a time period without TV, movies and other forms of modern entertainment.

HAROLD
I grew up in Boston. Actually, I grew up in books.

DONNA
There are things you can’t get from books.

HAROLD
There are things you can’t get anywhere. But we
dream they can be found in other people. Continue.

Donna stands, comes over to the desk coquettishly along its edge.

DONNA
Maybe our dreams are real.

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THE WONDROUS, STRANGE WOODS

Since many strange things happen to Alice in the woods in Alice In Wonderland, and many strange things happen to Laura Palmer (and many other characters) in the woods in Twin Peaks, it’s an obvious comparison to make between the two stories. But what I like here, in particular, is Judge Sternwood’s use of the word “wondrous” when describing the woods. Since “wonder” is the root word of both “wondrous” and “Wonderland”, and the “wondrous” woods have a very similar strange feeling to them, just like “Wonderland,” it seems to me that this mention of “wondrous” is dropped as one of the many connections to the two stories. And also, this is not the first time the word “wonder” has been used in Twin Peaks (and it won’t be the last).

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THE SECRET DIARY OF LAURA PALMER

This moment when Donna and Maddie want to steal from Harold in this episode inspired a whole different blog post, and I had to break out my observations related to Laura Palmer’s diary separately, which you can read via this link:

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The Red Cover: The Original Editions of The Secret Diary of Laura Palmer and Alice’s Adventures In Wonderland

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FALLING, FALLING…

There are numerous mentions of “falling” in Twin Peaks. Especially “falling” in love. Falling, of course, brings to mind Alice falling down the rabbit hole and into Wonderland.

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FACES IN THE FLOWERS

When Donna is trying to distract Harold so that she and Maddie can retrieve Laura’s diary, Harold shows Donna his flowers in his greenhouse. He points out that there are faces in the flowers. He says, “the bottom petal shaped like a lower lip.” This personifies the flowers, and gives them a face, much like in the Alice In Wonderland scene where Alice meets the talking flowers.

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Go further down the rabbit hole with my previous posts.

The Red Cover: The Original Editions of “The Secret Diary of Laura Palmer” and “Alice’s Adventures In Wonderland”

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When you compare side-by-side the original 1865 published book of Alice’s Adventures In Wonderland by Lewis Carroll, and the original 1990 published book of The Secret Diary of Laura Palmer by Jennifer Lynch, you can see similarities from the very first glance.

They are both red with gold accents, and both encircle their main character on the front cover with a gold ring. And if you take the titles and compare them, both titles suggest that, as readers, we are going to live vicariously through the evocative experiences of a female character. And it’s true – in both we discover the thoughts of these young ladies. In both, there are quite a few poems. In both, the girls talk to themselves, think, and dream. Both girls start out innocent – and then have some pretty insane interactions with otherworldly creatures.

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We can look into the world of Twin Peaks for comparisons to Alice’s Adventures In Wonderland as well. In Season 2, Episode 5 of Twin Peaks, Donna and Maddie plan to steal Laura’s diary from Harold Smith, a friend of Laura’s who refuses to turn the diary over as evidence. Notice that Harold could hide the diary anywhere in the house, but he keeps it in his bookcase. This likens Laura’s diary to a book/a fiction/a story… much like Alice.

But the comparison that really jumps out, is when Donna points out to Maddie that “all the notebooks look the same, except for Laura’s.” She says, “Hers is smaller with a red cover.”

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Jumping back to 1864, according to the earliest known letter that survived between author Lewis Carroll and his publisher Macmillan, Carroll insisted that his book Alice’s Adventures In Wonderland differ from the usual Macmillan green, and that his book be covered in “bright red”.

So (to really drive this point home) in the mid 1860s when Alice’s Adventures In Wonderland was printed, you could have said, “All children’s books look the same, except for Lewis Carroll’s… His has a red cover.”

Go further down the rabbit hole with my previous posts.

Found In Twin Peaks (S2, EP4): Inside the Rabbit Hole, Dreams, and Queens

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If this is your first time here, this blog is dedicated to my thoughts and discoveries of how David Lynch and Mark Frost’s Twin Peaks relates to Lewis Carroll’s Alice’s Adventures in Wonderland and Through the Looking Glass, as well as the Disney movie. To start at the beginning, go to the archives.

Episode 4, Season 2 - “Laura’s Secret Diary”

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This episode starts off inside a hole. The camera pulls slowly out of the hole, and it feels as though we’re falling. We find out it’s an extreme close up rendering of the inside of a perforated ceiling tile hole. But the important part to me is the shot similarities between this opening, and when Alice falls down the rabbit hole in Disney’s Alice In Wonderland. You can see in the shots compared above how they feel akin to one another. The Twin Peaks version even looks like it’s full of sticks, and that it belongs underground.

In my last post, I left off with Maddie talking about how she feels like she “fell into a dream” (like Alice does), and I brought up that while the opening theme song to Twin Peaks is called “Twin Peaks Theme,” there is a version of it with vocals called “Falling,” which you can listen to below.

All of these examples point to various homages of Alice falling into a dream.

I also noticed in this episode, the special on the board in the Double R is “Rabbit Chili” – another reference to “going down the rabbit hole,” perhaps? 

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Also, once again, as in many episodes of Twin Peaks, dreams are mentioned – relevant since Alice is also stuck in a dream land of her own.

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Lastly in this episode, we’re introduced to the pageant element, which will come up again – this one is the Tri-County Lumber Queen. Queens play an important role in the stories of Alice In Wonderland and in Lewis Carroll’s Through the Looking Glass. In each, Alice interacts with various Queens, and in Carroll’s Through the Looking Glass, she even gets “Queened” herself.

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Go further down the rabbit hole with my previous posts.

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